![]() ![]() “Capricorn” and “Metropolis” feel like the last hurrah for Lemmy’s Hawkwind-isms, the former being a personal favorite as it pairs a spacey stop-start pattern with echoing vocals calling out autobiographical reflections. ![]() Of course, there’s also a lingering sense of seventies-inspired dynamics that help set Overkill apart from the classic lineup’s subsequent outings. I also love the swing on ”No Class,” self-admitted ZZ Top ripoff riff and all, as well as the interweaving bass and vocal lines of “Tear Ya Down.” “Stay Clean” and “(I Won’t) Pay Your Price” keep the momentum going nicely, the former pairing a driving rhythm with washed out guitars and vocals while the latter has a more straightforward click-clack heft. The album’s other songs may not reach the same levels of intensity, but they still offer plenty of grit and attitude. Throw in Lemmy’s rock ’n roll declarations, relentless instrumental breaks, and two false endings and you’ve got an anthem that is simultaneously exhilarating and exhausting. Plenty of hard rock and metal bands had utilized double bass drumming by this point but you’d be hard pressed to find patterns with this degree of filth, especially when reinforced by these grimy bass lines and flailing solos. While Motörhead set a standard for high velocity openers with their self-titled song, they never had one with such a strong statement of intent as Overkill’s title track. There’s a real sense in pushing forward throughout, both as a band and throwing down a gauntlet of extremity for groups from Venom and Metallica to follow through the following decade. Having shed the baggage of early members and lingering material, this album sees the trio consolidate their tropes with boosted musicianship matched by focused songwriting. Motörhead may have established a strong identity with their self-titled album, but 1979’s Overkill could be seen as their true debut. Overkill is truly the major album of a band that would become and still is today in the world of metal. Overkill is the Motörhead record that contains the most classical songs of the band, with no less than five tracks (Overkill, Stay Clean, Capricorn, No Class and Metropolis). As for the animal, behind the drums, he ensures the rhythmic in a masterly way with a such of a feeling. ![]() Just listen to it and you'll fall under the musical spell of the sixth curdiest. Inspiration of the riffs, be it Lemmy's bass or Eddie Clarke's guitar, whose qualities as a soloist are not even to be demonstrated. Stay Clean" follows with its psychedelic guitar riff and its remarkable bass riff, the bouncy "(I Won't) Pay The Price", the heady riffs of "I'll Be Your Price" and the astral and cavernous "Capricorn", the powerful and unifying "No Class", "Damage Case" and its rumbling bass, the wriggling and dancing "Tear Ya Down", the masterful and timeless "Metropolis" and finally the bluesy and rock'n'roll "Limb From Limb".Īll tracks are musical gold nuggets. Galloping drums, riffs and percussive solos, this track as its name implies is a complete killer. It is with this kind of track that Motörhead is considered, rightly or wrongly, as one of the founding bands of speed metal and by definition of Thrash metal. The album opens with one of the two major tracks of the band, "Overkill" (the other one being "Aces Of Spades" released on the album of the same name). Released on Maon the Bronze Records label, "Overkill" is the album with a capital A in Motörhead's discography, even though it is full of masterpieces. That year, the band released no less than two albums, "Overkill" and "Bomber", but it is especially with this first one that the living legend was born. 1979 is the year of acknowledgment for Motörhead. ![]()
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